#and a whole lot of other people but these are the most relevant

[olderthannetfic]

Every single fucking time someone sends an ask about xreader fics, the next 3 asks or so and some rando in the replies are ALWAYS bringing up mistagging. We get it. We Get It. You've mentioned that in the last 5 asks about xreaders. It's not even relevant to what the ask is talking about.

In case they haven't noticed, us xreader readers also complain about the mistagging because we want to easily search for it. We want to filter it IN. But we all know that it's more of an etiquette issue, and it happens in every fandom. So what if it's more prevalent in xreader fics? Fucking block the authors. Aren't proshippers the best in blocking and curating? At least the people who complained about "I would not fucking say that" actually had a valid point.

And I just know that some of you are itching to reply with "But it's SO SO much more prevalent in xreader fics!!!" Holy gee, did you not read the whole ask? WE GET IT. Calm down with the hate boner.

--

Also, to add, re: last xreader anon "Idk why people who are otherwise pretty good about not yucking each other's yum get so aggressive over blatant self inserts." Maaaybe it's because their whole identity as a "not yucking other's yums" person is challenged because they finally found something they hate so much that they'd start yucking other's yums. 🤷

I find it incredibly weird how people keep bringing up ~proshippers~.

A lot of people around here aren't even that but Olds who are vastly more anti-censorship than people who use the term. But this also means they're from an era when calling things idiotic is normal and people can tell the difference between that and banning.

It's true that the occasional fool wants to ban xreaders, but most people I see commenting are just going off about how they suck. It's very much the same way people talk about teenagers in fandom or cartoon fandoms full of 24-year-olds.

[anim-ttrpgs]

More rambling On the subject of TTRPGs as a disrespected artform.

There’s a bunch of reasons for this disrespect being present that I could get into but I’m going to focus on the most relevant one to this topic: TTRPGs are helpless.

To explain what I mean I’m going to make a comparison to video games, or at least action-adventure type video games. Those have a lot of similarity to “trad” and “neo-trad” TTRPGs, which are nominally the most popular style of TTRPG (even though it seems like half the player base would rather be playing something else but again another tangent). Both of these are usually about protagonists using abilities to avoid or defeat adversaries and avoid traps and progress through a series of hazardous areas.

Video games are not helpless. They can assert themselves on the player. When you lose in a video game and you’re like “Aw no way, I didn’t want that to happen!” The video game can say “No, Mario fell in the pit, Master Chief got blown up by a grenade, Pac-man got caught by a ghost, you lose. According to the rules of the game, you have to try again from a checkpoint.” And you have to do it. The game forces you to start over.

In a TTRPG, if your guy gets killed and you object to that, the TTRPG can at most offer a weak textual protest as you or the game master flips the die over to a more favorable number.

Of course plenty of video games have cheat codes, hacks, mods, etc. that can remove that power from the video game to force you to follow the rules of the game, but not everyone has the knowledge or skills to use those, whereas everyone can flip a die over or just lie about the number. Plus, doing this is looked upon less favorably in the culture of video games than in the culture of ttrpgs. I mean, it’s in the name. “Cheat” codes. You’re cheating.

If somebody brags about how they beat Elden Ring with no deaths but then you mention that you hacked the game to give your character infinite HP, people will go “hey wait a minute,” but if you brag about how your character was so badass when they defeated a hundred cultists at once in D&D5e, because the DM kept saying the cultists missed every time the rules say they should’ve hit and you kept saying your character hits every time the rules say their attack should miss, nobody bats an eye. It’s even more accepted and expected that a DMPC will materialize out of thin air to kill everything every time the party picks a fight they can’t win.

Ultimately, a lot of the urge to cheat like this I think comes from the fact that people are introduced to neo-trad TTRPGs like D&D5e through critical role and also its playerbase’s general fixation on pre-planned plots and heavily scripted scenes that rely on characters never dying(which was not invented by critical role but was heavily bolstered by them). The only way that these goals can be achieved is by cheating, since D&D5e really doesn’t support that kind of thing, so they get into a habit of cheating. They get into the mindset that the rules don’t matter and can only get in the way of their intended gameplay. Which is of course because their intended gameplay is not something D&D5e was made for.

Then gradually they trickle into other games besides D&D5e, and assume that those games’ rules don’t matter either, completely deflecting and disregarding the experience that the designer intended players to have with their art. Or worse, they become TTRPG designers themselves, and write their own rules based on the assumption that the rules don’t matter which not only results in shitty gameplay experiences for people who are trying to follow these thoughtlessly-written rules, but also further reinforces the infectious idea that TTRPG rules don’t matter. But dude. TTRPGs aren’t anything *but* rules. The rules text is the whole game. Saying the rules don’t matter is like saying the paint on the canvas doesn’t matter! Yes! It matters because those colors of paint in those places placed there intentionally by the artists are what makes it a painting and make up the whole experience of experiencing the painting!

So we have a huge demographic in the TTRPG fanbase that thinks that the very artform itself is, at best, valueless and at worst actively bad!

Reading comprehension check!

Things I did not say in this post:

“We need to expel any particular demographic and never let them play.” (But maybe if they don’t like our artform, they should try to find one more suited to their needs instead of twisting another artform into something else.)

“You’re never allowed to adjust or homebrew a rule to fit the intentional gameplay experience you’re going for.” (But if you find yourself doing this all the time, either before you have even played the game normally, or constantly on the fly in most or all sessions, maybe you need to find a different game altogether.)

Exerpt from Eureka: Investigative Urban Fantasy. (with art by @theblackwarden )

[kinghijinx22]

Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

[radioroxx]

hmmmm mal du pays thoughts tonight

[an-eldritch-peredhel]

I’d love to hear your thoughts on what Eldritch peredhel entail

-@@outofangband

Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3

alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency

shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!

thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it

but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨

that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.

As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not

(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)

(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)

(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)

They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.

Oh! This is a new headcanon of mine actually but!

They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life

It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another

It's not unrecognizable but if you've ever seen the subject in real life you can just tell

It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful

(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)

(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)

(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)

The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior

Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face

(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)

Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!

(This leads to much affectionate eye-rolling on Melian and Luthien's part)

Hair stuff!

It's alive! kinda! it's definitely not normal hair!

It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.

They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable

Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star

(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)

Speed round!

Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!

They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.

Weird Foresight Powers++

(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)

Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.

(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)

Their sclerae turn black and their pupils white, on occasion, usually when using powers

They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin

They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.

The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.

This is the fundamental separation between them and everyone else.

The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.

The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.

No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.

(This is about being neurodivergent)

[iwriteasfotini]

So I saw this and I've been working on a piece from Petunia's POV, it feels very relevant. I liked this response, but I also have of my own HC thoughts to throw out there.

Most of my HC is gut instinct. I've worked with a lot of kids, I was a teacher, I have a child, my education is in human development and family studies and early childhood education. And when I think about Harry, I feel so sad, because he was definitely abused, neglected, and isolated.

Then I remember he's a fairly functional youth/teenager.

I also think about Harry as a rather biased narrator.

The Dursleys are awful to him, to be frank, they aren't great parents in general. Just take a look a Dudley. But I think it is hard to get a clear view of Harry's home life from the limited evidence given in canon.

JKR needed Harry to have a negative relationship with muggles because it is one of the things with differentiates him from Tom. Both of them grew up in the muggle world, "unloved" but I'd argue their experiences are so dissimilar they cannot be compared to each other. JKR is also a mom. And until you live that experience, and understand what it feels like to want to rage at a child you love so so dearly, I think it is easy to see Petunia as bad and Harry as good. But Harry was a little shite. All kids are at times - 100% true. I think it wasn't a far leapt from several bad parenting moments to straight up bad parenting on Petunia's part. Vernon I HC as hating Harry from day one.

To be clear: Petunia doesn't like having Harry living with them. It's hard enough to do your best with your own *wanted* child. She had no motivation to do her best with Harry. And Harry wasn't going out of his way to be a bad kid, he was just a normal kid.

Basically, I like to think Harry's upbringing wasn't quite as awful as some people make it out to be. Child protective services was never involved, Harry went to school, other adults had eyes on him and there are no references to anything being horribly amiss. There are comments he makes about dodging Uncle Vernon's fists, but I have a hard time thinking he was ever actually physically abused by his aunt or uncle. He was yelled at and food restriction was absolutely used in an abusive way against him. He was also made to do yard/house work (and here I think there is room to argue this is not necessarily as BAD a thing as people imagine it to be).

Anyways, I'm planning to post a whole Petunia POV story at some point. It's about half written right now. And I know many people view the Dursleys as villains, but as always, there is likely more going on under the surface. I'm not claiming they aren't villainous, but I'm a lot more interested in why everyone in the magical world let Harry STAY in that abusive household than about the degree to which the household was abusive.

Just some thoughts. No hate to any mindset or HC.

Harry’s life at the Dursley makes me extra side when I remember he was a baby when he came to them. It makes me wonder when did he start sleeping in the cupboard?

And then I spiral and think about Harry calling Petunia mom when he is three years old. How did she raise him until he became a kid? And I think about him doing art during Mother and Father’s Day for his uncle and his aunt and them throwing it in the bin. Did he try to listen Petunia read a story to Dudley? Did he ever learn how to swim with school and he just never learnt?

And it makes me so, so sad.

It is. Everything about Harry's childhood breaks my heart. I already talked about it here and here.

We actually have a very depressing answer about the swimming lessons bit from GoF:

He wasn’t a very good swimmer; he’d never had much practice. Dudley had had lessons in his youth, but Aunt Petunia and Uncle Vernon, no doubt hoping that Harry would drown one day, hadn’t bothered to give him any.

Which I take to mean he had maybe, like, two or three lessons for swimming at school and that's it.

As for the other stuff, I don't remember direct answers so you're going to hear my headcanons:

1. I think Harry never called Petunia "mom". When he was a baby he still could remember his mother and as he grew up he got used to calling her "Aunt Petunia" so he never called her mom except for maybe one time on accident when he was 3 or 4 which he was screamed at for: "I'm not you're mother, Freak!" and probably also slapped for.

2. I think when he was very very young, like, younger than 2-3 Petunia did put more effort in keeping him alive immediately after her sister's death and with Dumbledore's letter/threat fresh in her mind. But slowly she saw nothing happened and no one came when she treated Harry badly, so it emboldened the Duesleys.

I also think Harry started showing magic at a very young age, like 4-5, and when he did, Petunia and Vernon moved him to the cupboard and their treatment of him worsened even more.

After all, Petunia remembers her childhood with Lily who could do magic, she would recognize it for what it is ��� and she and Vernone are terrified of it. That's why the moment Harry showed signs of magic I believe they moved him to the cupboard to keep him away from Dudley.

3. The idea you brought up about little Harry making a family drawing of him with the Dursleys and Petunia scrunching her nose before throwing it in the bin in front of Harry's face.... shit, that's so sad and I'm sure it happened. I just imagine baby Harry's face, all proud of his drawing and not fully understanding the Dursleys yet with his cute nose and big green eyes and he would be so disappointed. I don't think he'd cry though. I think by that point he learned Vernon and Petunia don't like him crying.

4. I think the next year he drew himself with how he imagines his parents to be and he hides it from the Dursleys because Harry's a fast learner. I'm sure he spent nights dreaming about who his parents were from the very little information he got out of Petunia.

5. I can definitely see a young Harry crouching near Dudley's bedroom door as Petunia tells him a story. And then when she's done, he'd run away quickly so he won't be caught.

6. As a bit of a continuation of sneaking around to listen to bedtime stories, I think watching television at the Dursleys was similar. We know from canon Harry did use the time the Dursleys were away to watch television or play on Dudley's computer:

“You could just leave me here,” Harry put in hopefully (he’d be able to watch what he wanted on television for a change and maybe even have a go on Dudley’s computer) .

(PS)

Though I don't think the Dursleys allowed him to do it, he just got good at sneaking around when they're not there. I'm saying that since Harry mentions Mrs. Figg lets him watch television:

She let Harry watch television and gave him a bit of chocolate cake that tasted as though she’d had it for several years.

(PS)

So it seems he wasn't usually allowed to watch television or play on Dudley's computer. I think the way Harry watches television when the Dursleys are home is by standing at the doorway and watching without them noticing (that's why he can't pick what to watch). I mean, we kinda see him doing it in OotP when he lays beneath the window to listen to the news on their television without them knowing.

Yeah, Harry's childhood was so depressing and I think the books actually portray him and how his childhood affected him well considering the books were limited in what they were allowed to show. I think the signs of trauma and abuse are clear if you look for them, even if they're not all called out in an obvious manner.

Writing this post just made me super sad now for Harry. My boy deserved so much better.

[puhpandas]

as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out

I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it

it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2

[torgawl]

gojo's death has been way too controversial for something that has been premeditated for such a long time

[lucalicatteart]

Poll adventure (paventure? lol) Day 15: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should purchase some new shoes for himself while he's in the city...

~

It costs quite a bit of coin, but in the end he decides that having a new sturdy pair of boots will serve him well on his travels. After he's done in the shop, he rushes back to the local inn before nightfall, eventually settling into a somewhat restless sleep..

The next morning, he orders some cheap vegetable stew from a food stall, then lounges in a park as he has his breakfast, watching the squirrels weave through flowering trees and birds pecking about in the dewy grass.. When finished with his meal (and sufficiently recovered from the emotional turmoil of burning his tongue on the soup), he quickly sells his old pair of shoes to a sketchy pawn shop before finally getting back to his journey...

By his calculations, if he he walks all day, it should only be two more sleeps before he gets to his destination, so he sets out to travel as efficiently as possible. He doesn't have the money to rent a cart, or the skill to ride a borrowed horse, but, he does have some fancy new walking shoes and a renewed sense of purpose. No more meandering through fields looking for flowers, napping in the shade, or scanning the ground for cool rocks.. He's going to focus this time!

......After a few hours, he comes across a broken down carriage in the middle of the road, with few people surrounding it, seemingly stuck trying to repair a wheel or something. It's hard to discern from afar..

Maybe if he helps them, he could get a free ride.. or some coins.. or make a new lifelong friend! Who knows? Possibilities flood his mind, this is what adventuring is all about! Wandering into interesting situations and making the most out of them!! .. But, then he recalls his previous oath.. he's supposed to focus today and not allow himself to sidetracked.. And who says he has the skills to help anyway? It could always just be a waste of time... Hmm...

What should he do?

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[pomrania]

A correction to something from the previous post: for 'Assassins at the Royal Masquerade', I'd misread part of it, and "protect from afar" is for when your mask WASN'T drawn for the scene, and was actually shown in the example (I just didn't register it). So that brings the "do nothing" to just the rarer instance of when neither your target nor employer are in a scene. (Thanks @electriceyespots for bringing that to my attention.)

The Benefits of Your Library Card by @caw-oticdork I mean, the whole point of this game is that it's played using a library, I couldn't NOT mention it. The mechanics are some pretty standard bibliomancy -- which is unfortunately not actually "magic that moves books around", but rather "opening a book (historically the Bible) to a random line and using that as your answer" -- but I like the thing about finding a relevant book for the issue at hand, then using THAT for your random line.

Killing Machines by @ribstongrowback I think it's cool to have a list of traits to define "human", then an obstacle's number is how many of those traits said obstacle has, and you want to roll over or below it, depending on whether you treat it as a person or a thing. Like, "you want to roll high or low, depending on your approach" is something I've seen with other games, but not "the number is arrived at by how many of something it matches". It's cool.

Walking Simulator with Skunks by yours truly Listen, *I* think I'm funny.

Les Femmes Damnées by @jessica-problems Other people have already (rightly) said good things about it; for MY part, what I'm most impressed about is that it got PLAYTESTED before posting.

Rubik's Monster by @mildkleptomania That is just a REALLY cool way of assigning traits to a character; having something for each colour, and randomizing a rubik's cube and seeing how many squares of each colour are on a given side. I also appreciate the categorization schema there for them, it's LOVELY for building a monster, and also they're all five letters, that must have taken a lot of effort and/or serendipity.

When All You Have is a Gun Everything Looks [Verb]able by @that-house This seems like it would in-'verse end in horrible disaster; I love it. I think it's interesting how not only are you limited to six different actions, but you're limited to them IN A GIVEN ORDER; and they can be reloaded in a different order once fully expended. Any real strategy comes from choosing to act or not act, and WHO acts. It'd be easy enough to make this less impossible, say by allowing the actions to be used in whatever order, but that would change the tone of it.

Doing what I did last year (and hooboy but that post took forever to find, tumblr is a functional website), and talking about the @200-word-rpgs (it has its own blog now!) that I found interesting, as the compilation post comes out.

Canned Vegetables by @moth-surface I love the concept here, of finding ways to describe XYZ as though it's ABC, while still being truthful. I don't think I'd be able to play this as-is, since I don't know much about different vegetables, and this relies on both parties having a good deal of background knowledge; but I'm glad that it exists.

HEAVY METAL VAN WIZARDS by @henchmaxxing I have a fondness for things where all the stats are individual words from a phrase that describes stuff overall. …and on my reread of this one, for writing it up, I noticed something I hadn't registered before: that your character's stats are assigned by the OTHER players, presumably in accordance with how the character had been illustrated, and okay that's really cool. I also like the mechanic of ties being broken by who can metal scream the best, that's great.

Holy RPG, Batman! by @catsarehumanstoo This is a fun concept. I really like how a particular result comes from the most likely value when you roll 2d6, but especially how that's simultaneously desirable AND undesirable. There's some fun dice stuff there.

Radio Prophets by @toy-dragon I wish my brain was working more (it's nearing midnight) to say how I like this. The very concept, of flipping through the radio for phrases, that's a good one. The idea of interpreting a prophecy, then interpreting its misinterpretation, that's fascinating. Also, the bit about how if nobody responds, you can't try again until something timed by the car stopping; although now I've a bit of a question of whether "next full stop" means "the car comes to a complete stop, like at a stop sign" or "the car is parked and turned off". But I feel that's something which would be negotiated on a per-roadtrip basis.

Rhyme Schemes by @bookoramaenderteeth "Transforming things into things that rhyme with it" is a classic. I appreciate the twist here, where after the power's been used a certain number of times, it has to become a more complex rhyme.

If you're reading this and have no idea what I'm talking about... well I prolly shouldn't have left my "this is what the post is about" to the end, especially not late at night. But basically there's an event going on where people write up RPGs with a word count maximum of 200. If you're curious, check the blog mentioned in the first paragraph.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[xinganhao]

🎸 vernon dates rockstar!reader. (3)

vernon x rockstar!reader who's a foreigner in an international rock band (3) a.k.a the one where you go public ➤ see also: series masterlist

‧₊˚✩彡 includes: international rockstar!reader, f!reader, long distance relationship, established relationship, pet names, fluff, cussing, best read in order + headcanons under the cut.

🔬 wikihow vernhow: how to go public with your rockstar girlfriend .ᐟ

Authored by Chwe, Vernon Last updated: November 10, 2024 ✅ Fact Checked

1. Assure your girlfriend that the world is not ending when she accidentally posts you to her main Instagram. Your girlfriend will wake up in a state of panic after putting you on her main Instagram story on accident. The first order of business will be to put her at ease. Call her the moment she messages you, just so a friendly face is the first thing she sees in light of everything.

Once her initial panic has subsided, try to distract her. Focus on making her smile or laugh.

Optionally, get some of her favorite food delivered to her apartment. She'll likely not be able to eat because of how nervous she is.

Constant reassurance is key. Make it clear that mistakes happen and that you're not mad at her. You could never be mad at her, to be honest.

2. Talk with everybody relevant to the situation, i.e. your company and your bandmates. There will be a lot of meetings with managers, then company executives. There will also be the matter of breaking it to your twelve bandmates-slash-brother-figures, most of whom will be pissed to be left in the dark. Some of them will insist they knew all along. (Highly unlikely.) Overall, you will have a lot of explaining to do.

Tell them the truth. There's no use in hiding. Talk about how it's been over a year since this whole thing started; why this is the reason why you make frequent trips abroad.

Grin and bear it. These people will be everything from shocked, to petulant, to overly excited. Prepare for an emotional whirlwind.

Stand your ground. The company will give you a lot of shit about it. There will be endless discussions about group image, about risks and consequences. But you know what you want. You want her. That's what you should tell your members, your leader, your manager, your CEO. Do not falter. Do not let your voice crack. Be honest and hold out.

3. Do not confirm or deny rumors about your relationship. No matter how excited you are to finally see your names linked on headlines, do not give the gossip mills the satisfaction. Both of you deserve to break the news on your own terms.

If you really must, screenshot the news articles and keep them for your own personal amusement. The two of you can laugh about it someday. (Hopefully.)

4. Make sure you understand what 'going public' entails for the two of you. A secret, long-distance relationship is one thing. A public, high-profile relationship is an entirely different monster. Take a flight to her city. Be extra discreet about it. Meet up, spend the weekend. Talk. Talk until your voices are hoarse. Talk about your concerns; talk about what you're excited to have. Make a SWOT analysis. Kiss until you both can't think of anything else. Be abundantly clear what is on the other side if you decide to take that leap.

Ask her a dozen times if she's okay, if she's sure. Up until the very last minute. People can change their mind; she wouldn't be blamed if she does.

Make sure you're sure. Know how much is riding on this, on you.

Think of how nice it would be to hold her hand out on the street. To get to call her yours out loud. To acknowledge her in your dedications, to not have to hide the fact that she's the person you're jet-setting to see. Think of all that, keep it in mind. Take nothing for granted.

5. Go public. The company will make a statement. You will have to say something on WeVerse. She'll take to other social media platforms. Tune out the reports and ignore the hashtags. A temporary social media cleanse might be beneficial, even. For the most part— take comfort in the knowledge that it's out. Everybody now knows that you, Chwe Hansol, have a girlfriend. Someone you want so bad that you'll go back on all the things you believe. Everybody knows her now, so there's only really one thing left to do.

Hope for the best.

[sachermorte]

so the thing about english is that people think it's so divorced from other germanic languages based on like. words. I've even heard people try to insist that english is a romance language. because of that whole messy business in 1066 with out-of-wedlock willy and his band of naughty normans. and now a good chunk of the vocabulary is french or whatever and they're prestigious so not using them makes you sound like a rube and this and that and the other

and yes william the conqueror will never be safe from me. I will have my revenge on him. he fucked up a perfectly good germanic language is what he did. this will be me in hell

but the thing is that most words in, say, german do have a one to one english equivalent. not all hope is lost, for those who still dare to see it. it's just that you 1066pilled normancels aren't looking in the right place

dog (en) ≠ der Hund (de) but der Hund (de) -> hound (en)

look with your special eyes. that one was easier. not all of them are this intuitive because of semantic narrowing and broadening and waltzing and hokey-pokeying and whatever else. I'll give you a few more

animal (en) ≠ das Tier (de)

aha! you think. I've got him on the ropes now.

but then

das Tier (de) -> deer (en)

nooooo!! you whine and cry in gay baby jail. the consonants are different!!! listen to me. listen, I say, putting both my hands on your shoulder. /t/and /d/ are the same sound. you just put your voice behind one of them.

nooooooooo!! you wail. deer are animals but not all animals are deer!!! listen to me. LISTEN. they used to be. animals used to be deer. that's just what we called them. it was a long time ago. it was a weird time in all our lives. it's okay.

let's try for a verb this time

to die (en) ≠ sterben (de) but sterben (de) -> to starve

same principle with the consonants, we're just changing a stop (where we completely stop the airflow and then let it through) for a fricative (where we still let some air go through. idk where it's going. maybe to its job or something.)

to starve used to mean generally to die, not just to die of malnourishment. we do that a lot. we take one word for a lot of things and make it mean one thing. or take one word for one thing and make it mean a lot of things. this is common and normal.

"okay but roland," you say, suddenly coming up with an argument. "what about tree? trees are super common. I don't think we'd fuck around too much with that. the german word is baum! what about THAT?"

"when did you learn german?" I ask, but then decide it isn't relevant right at this very moment. but fine.

tree (en) ≠ der Baum (de) but der Baum (de) -> beam (en)

beam??? you ask incredulously. beam???? BEAM?????? you continue with the same tone and cadence of captain holt from brooklyn 99.

yes. beam. like the evil beams from my eye I'm going to hit you with if you don't stop shouting.

but the vowels!!! you howl.

listen. listen to me. the vowels mean nothing. absolutely nothing. they're fluid like water. it got raised in english.

"WHAT DOES RAISED MEAN"

it doesn't matter right now. they were raised better than you, at least. stop shouting. open your eyes and see what god has given you. they're the same word.

"they're NOT the same word. they mean different things!"

we've been over this. they didn't used to. a beam was (and is) a long solid piece of wood. much like the long solid piece of wood I showed your mother last night.

FAQ:

Q: could english be some kind of germanic-romance hybrid?

A: do you become a sexy thing from the black lagoon just because you dressed up as one for halloween? english may have gotten a lot of vocabulary from norman french, but its history and syntax are distinctly germanic. that's what we base these things on.

Q: okay but what does it matter? this doesn't actually affect my day to day life

A: you come into my house? you come into my house, the house of an autistic man living in vienna austria and studying english linguistics and you ask me what does it matter? sit back down. I was going to let you go but now I have powerpoints to show you

Q: you're stupid and wrong and gay and a bad person

A: I know it's you, Willy

[sunderwight]

Demon Shen Jiu is such a fun idea though.

Especially if he himself doesn't know. Like imagine, Yue Qi finds this abandoned baby and the baby is REALLY OBVIOUSLY not human. But this also enables Shen Jiu to survive being abandoned at such a young age -- a human baby would die without adequate nutrition or care, but demons are a little more resilient. Baby Demon SJ has a way more forgiving digestive system and can move under his own power from a much earlier age. By the time he's a year old he's hunting his own rodents and small birds, and has to be stopped from biting and mauling anyone he doesn't like. Which is most people. Qi-ge develops amazing reflexes.

Why do the slavers tolerate a demon baby hanging around? Maybe it's really not all that uncommon. Demons come across the borderlands from time to time, and are as liable to abandon their kids or die or etc as anyone else. It's maybe an open secret among slavers that demon-blooded kids are a better investment, even, because they can survive for longer on less. The only downside is if they don't ever look human enough to pass as human, because that limits potential buyers, but that's only relevant when the slavers are trying to sell them. For the purposes of having a network of street kids stealing and grifting and spying and etc, it's fine. A lot of the slavers themselves started out as demon-blooded street kids with no other options.

But in SJ's case, he pretty quickly starts passing as human. Mostly because he's quite strong, and he's convinced that he's the same as his Qi-ge, so he makes himself the same. Makes his hands look the same and his teeth look the same and etc. It's largely subconscious, and once he starts doing it, it becomes automatic. SJ forgets that he's a demon in the way that most people don't retain their earliest childhood memories -- although he remembers that some of the slavers were demons.

Then of course there's the question of why didn't the Cang Qiong cultivators notice?

A few options. One is that whatever kind of demon SJ is, it's really good at mimicking humans. Another is that he's only part demon, and like Luo Binghe, fully capable of handling both kinds of cultivation. So once he starts learning spiritual cultivation, even from a heretic like Wu Yanzi, he doesn't seem different from any other recruit with a patchy education on the subject. Anything else odd about him could be easily attributed to his exposure to Wu Yanzi and his wicked practices.

Although full demon SJ is a fascinating idea. (Also, it could contribute to all those qi deviations -- he's trying to cultivate AND "fake" human cultivation at the same time, I doubt Qing Jing's techniques are totally compatible with everything going on there even without the psychological turmoil.) Like I'd imagine Airplane wrote that SJ was abandoned on the streets as a baby, and the system was like "hmm he probably wouldn't survive that?" and then in some nine billionth wife arc, Airplane also creates a variety of demon that can fully pass as human (for some identity conflict with a prospective wife), even to the point of fooling human cultivators and demon-detecting tools. So the system just ties these two disparate pieces of world-building together in order to patch a critical plothole (Airplane doesn't know anything about babies). Which has the side effect that Shang Qinghua doesn't even know that SJ became a demon!

And SJ himself doesn't know. The only person who knows is Yue Qi.

Obviously this wouldn't come up much in PIDW, but it could be pretty funny in the SVSSS timeline. YQY just sitting there through the whole Luo Binghe being a half-demon reveal, wondering if he should say something. Subsequently being the most absolutely chill about the whole demon reveal thing anyway. Like he's definitely not upset that Luo Binghe is a demon, or part demon, and the multiple people who try to make a point about it just run afoul of his impenetrable smile and get nowhere.

Then eventually Yue Qingyuan decides that he should probably tell Bingqiu that Shen Qingqiu is a demon. For like, safety purposes if nothing else. He's kept the secret so long also for safety purposes (even if someone put Shen Qingqiu under a truth compulsion he wouldn't be able to admit to being a demon, because he himself doesn't know!), and he's done tons of stuff to prevent anyone ever finding out (although Xiao Jiu is so talented that he didn't have to do much), but Luo Binghe is the demon emperor. That changes things. If Shen Qingqiu is going to be visiting the demon kingdoms regularly then there's a chance something could reveal the truth unexpectedly, and that would probably be worse.

So Yue Qingyuan sits down and has a very serious discussion with Shen Qingqiu and Luo Binghe about how Shen Qingqiu is actually a demon, was just the cutest little demon baby in fact, here he drew a picture from memory of what Xiao Jiu used to look like before he learned to look more human, and also how a lot of slave kids and slavers and people who fall through the cracks in society have demon ancestry, some more recent than others, and Shen Qingqiu always retained a certain discomfort around his own kind because of the adult slavers who sold him off, and etc etc.

[saccharinescorpion]

i've been debating on whether to post about this but what the hell, it's relevant both to today's episode and the topic of people trying to smooth over the flaws of Dungeon Meshi characters.... so, uh, remember what i said yesterday about Laios forgetting the basics of human decency when interacting with Izutsumi

i was intially worried about people reading this scene in uhh certain ways but was thankful to see most fans were chill with it... before i realized that. uh. maybe people were being a little too chill

okay............ so,

1. for the record: i believe that it is clear from what we know about him and what we know about the entire series as a whole that, yes, Laios didn't have "untoward" intentions towards Izutsumi in this scene. there's even an aside in Izutsumi's profile in the Adventurer's Bible that says as much. he likely saw it in basically the same way Falin did when she was observing the reproductive organs of the caterpillar in that one scene. FOR THE RECORD this excuse would basically never fly in real life, but for Laios, it actually honestly makes sense... he has a habit of ignoring people's boundaries, he gets ahead of himself when it comes to learning about monsters... he didn't have bad intentions, no, but it doesn't change the fact that he's an adult man (not a [my face contorts with a great pain] "curious boy") who was being really invasive about a teenage girl's body. it was weird. it was 100% weird, lmao, i don't think fans are "lacking media literacy" by saying "uh yeah that was kind of creepy and inappropriate of Laios"

2. and i also don't think it's villifying ND people to say that. if i were to be honest, i would argue the whole "he's just a curious boy :(" thing is a lot more offensive to neurodivergent people. Laios clearly knows about the concept of bodily autonomy- he felt weird and bad about touching Marcille and Senshi in "intimate" ways just to heal them. literally one scene after this one he expresses embarassment about accidentally touching the leg of (who he thinks to be) Marcille. he very obviously possesses the capacity to understand why it would be inappropriate to observe a stranger's body like they were an animal. i can accept the explanation that his monster curiosity temporarily overpowered his "oh actually maybe i shouldn't try to get up close and person with this teenager who i literally just met," but that doesn't change that he had to be restrained from doing that. i'm not even saying he's a "bad person" or anything because of this scene- i just am baffled at the idea of fans being presented with the slightest bit of messiness (he was creepy to a young girl, however unintentionally) and jumping to try and "justify" it (he's just silly, he's socially awkward, he's autistic, he's a Curious Boy) and even mock others who rightfully point out that that was uncomfortable behavior. Laios was creepy to Izutsumi. he didn't mean to, but he did (and to be quite frank he was lucky to get off with a smack from Chilchuck and a blindfold)

3. "I would also ask" excuse me?

[petrawood]

I saw someone post a tweet about how a lot of people in the Inquisition must have suspected that something was off about Solas, and out of all of them Bull knew that there was something fishy going on for SURE but the scope of the whole thing was just too big for him to have guessed exactly what was going on.

So, that made me think how the whole reveal must have been like if it actually happened in our world and oh my god it's SO ridiculous.

Btw, this is obviously OOC, but it's just. Solas makes SUCH a character oh my god.

---

Imagine you are an Interpol agent that joins the CIA for this one very important and very specific mission. Everyone knows that you work for another organization and you are a trained and highly competent agent, but the situation is so dire that the CIA is basically hiring everyone who could help.

So, there is this one very weird guy.

He wears an old hoodie and yoga pants. When asked where he came from, he tells you that he is into outdoor living, so just "outside, you know, somewhere". He has no qualifications apart from being a skilled hacker and really really really good at navigating the Deep Web. In fact, he's an expert at it, to the point of being the Deep Web specialist of the team. He walks around BAREFOOT.

He is a WEIRDO.

You assume he is just some guy probably over his head, pretty helpful but that's kinda it. You are going to keep an eye on him anyway, as you keep an eye on most people.

And suddenly, things start no adding up.

You ask him how he learned to hack into the deep web and he answers that he just likes sleeping under bridges and there is very good internet connection there, so he ended up learning. He doesn't elaborate.

For a guy that spends all his time sleeping on the floor and hunched over a computer, you notice that he is actually BUILT. You cannot tell over the oversized hoodie, but that guy has muscle. Once it comes up, he looks you in the eyes and tells you that that's just normal when you live in the outside like him.

You need somebody to pilot an helicopter. He knows how to pilot an helicopter. "Oh, I just watched a video tutorial. You know, in the Deep Web".

You need to steal some nuclear codes. "Oh I know how to cancel those nuclear codes. I found a lot of documents explaining how to do it. You know, in the Deep Web".

You need to plan a coup. "Oh yeah I know all about backstabbing politics. I found a list of all the relevant politicians and the country's corrupt history. You know, in the deep web"

You are in the middle of said backstabbing and he's slightly tipsy looking fondly at the whole thing like "oh how I missed the vibe of a nepotist state. No one throws a party like corrupted politicians- Not that I've been in one before, of course. I've only seen videos. You know, in the deep web"

He drives the other two expert hackers out of their minds. "I don't know how you managed to get this position, you don't even have a Doctorate" "Doctorates are overrated, I think you all would do better if you came to vibe under a bridge like me"

He actually is OBSESSED with overthrowing institutions.

The hackers tear him a new one because they find his Hacker Drip lacking (fair). And he smells like Cheetos.

"I made a lot of friends on the Deep Web forums"

At this point you are convinced that this guy HAS to have something else going on. There is simply NO way someone would know so many things from his deep web premium access under a bridge.

Your best bet has to be that he's another secret agent, a very highly trained one at that, right? Or maybe a highcore antifa member? He either has inside information of the CIA or he's looking for it. But he has been ridiculous helpful so far, so you just can't tell what he's hiding and why.

And then one day guy, this FUCKING guy.

He shows up and tells your Boss that he's actually the ancient god Loki from the Nordic pantheon. That he created death, but is sorry so he's actually going to join the Earth with Heaven and Hell. A lot of people would die because of the Demons and you know, Earth as it is not existing anymore, but that's a sacrifice he's willing to make.

Now tell me, how the FUCK were you supposed to guess THAT.